'The Red Room' : an introduction. How does Wells generate interest and tension in the opening pages?

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'The Red Room' an introduction. How does Wells generate interest and tension in the opening pages?

'It will take a very tangible ghost to frighten me.'

(p05, line 1)

The narrator is optimistic that he will not be easily scared and this makes the reader feel that something bad will take place. To enforce this feeling, the narrator is also made to seem naïve 'There's a many things to see when one's still but eight-and-twenty'.

Wells includes much incidental detail in his writing, such as the furniture throughout the castle. This style of writing creates mystery and distracts the reader's attention from the characters and the challenge that the narrator is undertaking. Use of repetition is also common, for example, 'It's your own choosing', and 'This night of all nights', giving the reader a premonition that something bad may occur. The conversations have mysterious qualities. The conversations are truncated and sometimes appear to be even said in riddles.

Because the story begins in media res, with neither introduction nor background information given, we do not know the purpose of the narrator's or old people's presence and this leaves the reader questioning, guessing and feeling uncomfortable. The room in which the story starts contains a lot of Gothic features, such as the candle, the fire and the shadows. This makes the reader wonder whether this same Gothic atmosphere hangs over the whole house. The imagery of the old people portrays illness and disease 'bent carriage', 'withered arm', 'decaying yellow teeth', 'his lower lip… hung pale and pink'.

We receive the record of the events from the narrator's mind and the reader must ask if this is a trustworthy source because the opinion of the narrator is subjective. Also, we do not know if we can rely on the narrator as we do not know him, due to the lack of given information. The untrustworthiness and the overconfidence of the narrator create tension when merged and the reader is not sure about what he wants the narrator's fate to be.

The physical features of the story are typical of a story of this genre. For instance, old people are common in mystery stories as well as castles and incidental detail such as 'the great window on the grand staircase', the flagstones and the sconces. However, the author, to an extent that it seems that the genre is being satirised, has purposely over exaggerated the details. This is partially done through the use of extreme hyperbolical language, such as 'inflamed', 'grotesque', 'monstrous'.

The mood in the old people's room is negative and somewhat pessimistic, for example, ' A many things to see and sorrow for, 'positive dislike' and this suggests that negativity may continue throughout the story. The old people are made out to be hostile to the narrator and each other by making it seem that the narrator and other characters go unnoticed 'glanced at me askance' and 'a short glance of positive dislike'. An air of potential violence is conjured up by such things as the silences, the lack of eye contact, the fire and the 'inflamed eyes'.

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