SALVADOR Dali

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Salvador Dali was born on Monday, May 11 104, in the small Spanish town of Figures, in the foothills of the Pyrenees, approximately sixteen miles from the French border in a region known as Catalonia. His parents supported his talent and built him his first studio while he was still a child in their summer home at Cadaques. Dali went on to attend the San Fernando Academy of Fine Arts in Madrid, Spain. He was married to Gala Eluard in 14 and died on January 18 in a hospital in Figures. Dali never limited himself to one style or particular medium.

The painting Metamorphosis of Narcissus was created in 17 by oil on canvas by Salvador Dali. This painting uses a lot of images to say what it means, for example, a person, a hand, water, a starving dog, a chess board, a canyon or cliff, and people. This is not to fill the paper or distract the viewer from the suggested meaning or point, but to support the idea that hope and despair are reflections of one another; on opposite sides of a coin, spinning in mid-air, waiting to land and fix or destroy everything.

The first thing that one thinks upon first seeing it, from far away, is that Dali just painted the same thing twice. From afar, it appears as if he simply cut the canvas down the middle and made one side brown and the other blue, but on closer inspection, one sees that the two sides, although very similar, are nothing alike.

On one side, there sits a limp body staring at the reflection of herself in the water that she sinks in. The setting sun glistens off the back of her head, but she just wallows in grim depression and boredom. The canyons trap her in the barren wasteland as she sits motionless, without movement, struggle, or life. This mysterious figure looks so vacant that it might as well be dead. Nothing is happening on this side, so ones attention is directed to the other.

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On the other side, a blue decaying hand emerges from the ground with ants crawling on it, possibly making their homes in it or finding food on it. Atop this pedestal, rests an egg with a flower sprouting from it. This display of life emerging from the dead is a symbol of hope and beauty. To the left of the hand, a very unhealthy malnourished dog feasts on fresh meat; his salvation is handed to him and he survives. Behind the dog is a chess board with a young man in the middle of it, proudly surveying the battlefield as though it were his kingdom. To his left are people on a road that leads off into the horizon. All these things symbolize new beginnings out of old life and hope from death.

The message that Salvador Dali was trying to get across is that hope and despair, failure and victory, and life and death are all equal forces, each one pulling the other in an eternal war to balance everything. Its all a cycle, and like all cycles, it repeats itself forever and ever, and theres no way of having one without the other.

Guemica - Pablo Picasso

Pablo Picassos Guernica Pablo Picassos painting entitled Guernica has been a masterpiece of modern art since its first appearance at the World Fairs Fair of 17. The huge mural has become an icon of Picassos work and has been interpreted in several unique ways, many of which contradict Picassos actual intentions.

Artistically, the composition is balanced and is a characteristic of Picassos work; perfectly planned and flowing. The symbols of this piece despite the misconceptions of its many critics, including those present at the Worlds Fair in the year that the painting was introduced, were clearly defined by Picasso himself.

The preliminary sketches of the work began in May of 17, and was commissioned by the official Republican government of Spain in January of the same year. It was to be displayed in the International Spanish Pavilion at the 17 International Exhibition, or as it is more popularly known, the Worlds Fair. Picasso was given a large studio in which to conduct his artistic endeavors in partial payment for the work which was being done.

Picasso went through many artistic periods throughout his career as an artist, one of which was cubism. In a few ways, Guernica, somewhat broke from the traditional cubism which he had a hand in inventing. The painting makes use of a two dimensional picture plain with all of the objects on the canvas appear flat looking as is dictated by the cubism style. The picture plain is not, however, fractured like many of the previous works which were categorized under the same style.

Picassos reason for painting Guernica has been disputed by the many art critics of modern art, but perhaps the most accurate summary is the genius himself. Picasso explained that the work was not specifically about the bombing of Guernica, nor was it specifically about the Spanish Civil War which was the culprit in this destructive incident. It was rather a broad statement about human beings fighting amongst themselves, and the chaos which would ensue should such hateful human relationships be allowed to continue as they had in Guernica, Spain.

The organization of the piece was carefully planned in the forty-five preliminary sketches, which obviously concentrated on leading the eye thorough the composition. The objects themselves balance each other well to create a peaceful composition. Picasso makes a conscious effort to emphasize the bull, the horse and the woman in the window as each of these images are important to the symbolic aspect of the graphic depiction of the bombing of Guernica. As one looks at the overall movement in the painting, they get a sense of frozen motion unlike what is typical of the futurism style of composition. The idea that everything came to a sudden halt with no time to come to a real rest. The one piece of evidence contrary to this is the soldiers arm which lays peacefully across the ground.

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