The Social Lie in A Doll's House

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Henrik Ibsen uses the "social lie" to govern the characters of "A Doll's House," to create a metaphorical gilded cage, that offers a false sense of security. Producing a persona to face society marked the "social lie" in the 100s. The cultural trends forced the public to live up to a social paradigm, while withholding their interior emotions and truths.


The characters or dolls appropriately referred to from Ibsens A Doll House were caught in this social lie and never really got to reveal themselves as real human beings. It seems that they would get so used to processing in their mind what everyone expects of them that eventually, it naturally would form a new layer or persona over them. Truth would inevitably prevail if this new persona did not exist. Perhaps they would finally get to express their true feelings or their aspirations that they would have hidden their whole lives. The social lie that the characters live in controls their every action, opinion, or basically their life. In this era you would live your life as a lie and never be true to yourself, but is it worth it, putting on a show? Doing what you have a passion for is what everyone should strive to achieve. You would never hold a true friendship; they would all be based on social standings, finances, or publicity. If this social lie were not hovering over this society, Nora would have expressed her true feelings or opinions a long time ago and perhaps never married Torvald. She would have grown on her own experiences based on her own opinions instead of her fathers. If this lie had not been governing their behavior, you would see the reality of life and how people actually are.


The public pretense in the early 100s was different from what it is now. To disclose reality would ruin the lives of many. Societal fabrication was a practice utilized by many in order to maintain a civic standard. The exposition of private matters ruining ones reputation is plausible. However in "A Doll's House" words, money and materialism were seen as a way to avoid the complications of personal contact. Upholding the "social lie" was more important than aiding a loved one. Materialism was more significant than people, leading Torvald to refuse to give himself up for Nora. Peaceable human interaction can occur without the "social lie." It is the community's responsibility to accept one another for who they are and not judge others only by their flaws.


"A Bird in a Guided Cage," by Arthur J. Lamb and Harry Von Tilzer, is analogous to "A Doll's House." A false sense of security is looming over those who live the "social lie," given that if the truth is revealed to others they will be ruined. Self-imprisonment illustrates the result of the "social lie." The chorus of "A Bird in a Gilded Cage" models the fact that Nora was literally trapped in domestic comfort. "She's only a bird in a gilded cage, a beautiful sight to see. You may think she's happy and free from care, She's not, though seems to be. 'Tis sad when you think of her wasted life for youth cannot mate with age; An her beauty was sold for an old man's gold, She's only a bird in a gilded cage."


College papers on The Social Lie in "A Doll's House"


Social expectations and conventions limited the lives of the characters in "A Doll's House." Their lives would have changed dramatically if the truth was revealed to the public and materialism did not play such a prominent role in their lives. The various names Torvald gives to Nora are diminutive in nature. It is noteworthy that they are less consistently animal and innocuous in nature. He calls her his "little rogue", "little skylark", "little person", "helpless little mortal", and maybe most unpleasant "child". Nora is the bird in a gilded cage and Torvald makes certain that she remains that way.


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