Rachel Carson(book review)

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Rachel Louise Carson (107-64), was an American marine biologist, and author of widely read books on ecological themes. Carson was born in Springdale, Pennsylvania, and educated at the former Pennsylvania College for Women and Johns Hopkins University. Rachel Carson taught Zoology at the University of Maryland from 11 to 16. She was an aquatic biologist at the U.S. Bureau of Fisheries and its successor, the Fish and Wildlife Service, from 16 to 15. Rachel Carson wrote 4 books including The Sea Around Us for which she was awarded the 15 National Book Award for nonfiction.

At the end of Rachel Carsons career she wrote Silent Spring, which questioned the use of chemical pesticides and was responsible for touching world wide concern for the preservation of the environment. Silent Spring takes a hard look at the effects of the insecticides, weed killers and other common products as well as the use of sprays in agriculture. By introducing these deadly substances, we have poisoned or lakes and streams, or wild and domestic animals, and even ourselves. The book focuses on the importance of balance within the environment.

Carson examines the way dangerous chemicals have been used without sufficient research or regard for their potential harm to wildlife, water, soil, and humans The over use of DDT and other pesticides eventually poisoned an entire world of living things. In Silent Spring, Carson not only recognizes the harshness of the chemicals usage but recognizes the effect of substance use on a community. It helped people to look at the whole picture, to look into the future instead of the now. Carson helps to change this way of thinking by offering solutions to the existing problems.

The significance of Rachel Carsons book was not the scientific accuracy but instead the position it took on DDT. Why this book is so recognized has nothing to do with the actual data, it has to do with awareness and the beginning of global consciousness. Carson helped to realize that everything people do has a greater effect on something else. The arguments of human death due to the banning of DDT are serious ones, and need to be addressed. This book is merely a tool for awareness and offers solutions to specific agricultural problems.

Silent Spring remains the classic statement which founded a whole movement and should be read by everyone who is concerned about the future of our world. Carson foretells the future in this book. This is a book that can be appreciated on a Sunday or as reading requirement for an Environmental Science class. No person at all interested in the environment should miss this treasure.

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Persuasive speech to see "Better Luck Tomorrow"

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What you have just seen is a clip from "BLT Genesis", which is a documentary on the film "Better Luck Tomorrow". After viewing this clip, let me ask you something... what comes to mind when you think of Asians in movies? After reading the results from a survey I conducted, many think of martial artists, exotic women, delivery boys, computer science geeks, nail parlors, laundry mats, and broken English. Director Justin Lin's new movie, "Better Luck Tomorrow", shatters these misconceptions and is on the verge of making history.

Today, I am going to attempt to persuade you into viewing and supporting the film "Better Luck Tomorrow". I feel that I am a credible source because I recently attended a MAASU (Midwest Asian American Student Union) conference in which one of the actors, Roger Fan, came to speak to us. He showed us "BLT Genesis" and spoke about the film. The audience, including myself, attained further information through the MAASU brochure and the "Better Luck Tomorrow" website. I will speak about three aspects of the movie How BLT differs from other films, obstacles it has had to overcome, and reasons to why you should see and support the film.

BLT differs from other films in many ways. First off, it's a predominantly all Asian American cast. Rebecca Louie, author of "Hoping for a little bit of 'Luck', found that according the 000 census, Asian Americans make up 4.% of the U.S. population, but a Screen Actors Guild study from the same year also indicated that only 1.7% of all lead roles cast went to Asian/Pacific Islanders. Now, you may have seen films that show Asians or Asian Americans starring as the main characters, but another main difference between BLT and other films is that the main characters do not play stereotypical roles. Parry Shen, another actor in BLT said, For the first time, we are not on screen for some function just because of our faces. We don't perform martial arts, we aren't struggling with our identity as Asians and we aren't the translator in a scene. There is no specific reason for being on screen besides just being regular characters that everyone can relate to." Jack Song, a Cal sophomore agrees as he says, "I'm excited about the movie because it deals with universal things that youth can relate to, but it's an Asian American film and it's really empowering. And they're not portrayed as a kung fu fighter or kimono-wearing people… it makes me feel legitimized". Another way in which BLT differs from other films is that during its premier at the Sundance Festival, it was the first ever Asian American film to be picked up for distribution. L.A. Chung, author of "Looking beyond the stereotypes of ethnicity", said, "It's hard for independent films to get distribution and promotion and even more unusual for Asian American-made films to make that cut". Another huge success that BLT accomplished while at the Sundance Festival, was the fact that it was the first film ever to be acquired by MTV films.

It may seem like a fairy tale being the official selection of film festivals, being picked up for distribution, and being acquired by MTV films, but it has been a long, hard battle and BLT has faced many obstacles. First off, Justin Lin had to find a company that would accept the film the way it was. While trying to make his film, many companies offered large sums of money under one condition that he would change the cast from all Asian Americans to all Caucasians. Roger Ebert questioned why not having a film featuring an all Asian-American cast as he wrote in an article, "For years, filmmakers have tiptoed around the sensibilities of ethnic groups, afraid to offend. Maybe the tiptoeing is the real offense. If Justin Lin had made BLT about white teenagers, no one would have batted an eye and his cast of gifted young Asian American actors would have been denied important roles". Justin Lin refused to change his film, a very noble and courageous act, took out his life savings and maxed out 10 credit cards in order to make his movie the way he envisioned it. Another huge obstacle BLT has had to overcome was criticism from audience members. It has endured a lot of disapproval and people have denounced it for moral emptiness... especially since the "immoral" roles are played by Asian-Americans. During the third and final screening at the Sundance Festival, a man seated near the rear of the theater said, "I'm really depressed from the film. Because one, it looks very good. Two, the actors are very good. You know how to make a movie. But why would you, with the talent up there, and yourself, make a film that is so empty amoral for Asian-Americans and for Americans?" Roger Ebert, who usually remains quiet during Q & A sessions, stood up and said, "What I find very offensive and condescending about your statement is, nobody would say to a bunch of white filmmakers, 'How could you do this to your people?' The film has the right to be about these people, and Asian-American characters have the right to be whoever the hell they want to be". A clip of this can be seen on "BLT Genesis"

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Now that I have told you how the film differs from other films and the obstacles it has had to overcome, let me give you reasons as to why you should see and support this film. First off, critics gave it rave reviews. Example Ebert and Roepert gave it "two big thumbs up", Claudia Puig of "USA Today" said, "The films clever plotting and intriguing characters will stay with you well after leaving the theater and James Rocchi of "Netflix.com" said, Justin Lins look at overachievers who achieve bad things is a thriller, a social satire, a character study -- and one of the years best. Second, BLT has won numerous awards like Varietys 10 Directors to Watch 00, San Diego Asian Film Festival (SDAFF) Visionary Award, UCLA Institute of American Culture Fellowship, and Jack Nicholson Distinguished Directing Award. The third reason why you should support this film is because it breaks stereotypes of Asians/Asian Americans. While explaining his vision of the film on the BLT Official website, Lin said, "I wanted to make a movie that was real and non-apologetic, one that resisted the standard stories and stereotypes typical of recent Asian American cinema. I strove to create a film space that did not define Asian Americans in opposition to "whiteness," but rather, to establish them as active participants in the ever evolving face of Americana". Leonard Wu, actor and a recent UCLA graduate sees and agrees with Lin's vision as he says, "This movie marks a pivotal moment within the entertainment industry and the media as well because although it is not the first all-Asian American cast, it is the first time that Asian Americans do it on their own terms. It breaks the rules, not following the stereotypes that have become calcified over time and consequently stigmatizing Asians as only being able to handle one or two types of genres. Indeed, BLT portrays AA as humans rather than just some Hollywood stereotype. Finally, one of the most important reasons to see and support this film is that it gives Asian/Asian Americans a slice of the American film industry pie. Lin went to a meeting with studio marketing execs as he was curious about learning how to publicize his film. Five studio reps sat around him, sifted through numerous pages and they came to a pie chart that broke down the American filmgoing audience by race. Lin studied the chart and noted the large slices marked "African American" and "Caucasian". He also noticed a little sliver marked "Latino", but nothing that said "Asians". When he asked why, the reps said, "Asian-Americans don't exist in the film marketing world. We consider them the same as a white audience." Lin was stunned and thought to himself, "We don't even have our own piece of the pie… how can we get our own piece of the pie?" If this film is successful, then it will give Asians their own slice of the U.S. film pie and give the green light to other Asian American films. In an interview with Cindy Yoon, Lin said, "For an independent film, it is really important for people to show up. Anyone who has complained about representation and cookie clutter movies needs to support movies like this because that is the only way you can communicate to studios that we want to see more films like this".

In conclusion, while BLT has an intriguing script and won numerous accolades in the independent film circuit, it is more than just a movie. It is a significant leap forward in a movement to bring equality of representation of Asians and Asian American in U.S. cinema. Supporting the film means the production of more Asian American films and if BLT is a huge success, then it'll make history and break many stereotypes of Asians/Asian Americans. I urge and encourage you all to see and support BLT when given the chance. It opened April 11th in select cities, but because of its continuing success, it is now being played nationwide starting the 5th.

Better Luck Tomorrow Official Website 7 April 00

http//www.betterlucktomorrow.com

Chung, L.A. "Looking beyond the stereotypes of ethnicity." The Mercury News

8 October 00.

"Ebert and Roeper Review 'Better Luck Tomorrow'." Better Luck Tomorrow Official

Website 8 April 00 http//www.betterlucktomorrow.com/article.php?id=0

Ebert, Roger. "No Place for Political Correctness in Film." Chicago Sun-Times

18 January 00

Kehr, Dave. "With a Dash of Difference." The New York Times 4 April 00

Lin, Lynda. "Movie Review 'Better Luck Tomorrow' breaks stereotypes."

Asiansinamerica.org 7 April 00 http//www.betterlucktomorrow.com/article.php?id=8

Louie, Rebecca. "Hoping for a little bit of 'Luck'." New York Daily News

8 April 00.

Uba, Tracy. "MTV Seeks Mainstreams Success for AA Film 'Better Luck Tomorrow'."

Pacific Citizen. 0 March 00.

Yeung, Bernice. "Making Their Own Luck." SF Weekly 10 April 00.

Yoon, Cindy. "Interview with Justin Lin, Director of Better Luck Tomorrow."

AsiaSource.com 8 April 00 http//www.betterlucktomorrow.com/article.php?id=40

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Big Blonde

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Being truly happy has a lot to do with a person's view of self worth. Those with a high view of self worth do not let outside people or influences alter their behavior or their opinions of themselves. Those with a low view of self worth find themselves often in precarious situations because they let themselves be influenced into becoming what others want them to be. In the story "Big Blonde" by Dorothy Parker, conformity and melancholy are the driving forces that influence Hazel's behavior and ultimately lead to the collapse of her character.

Conformity is the biggest factor leading to the breakdown of character at the story's conclusion. At the dress establishment where she works, men gravitate toward Hazel and often ask her to go out with them. Many a night is spent with the men that she meets, and from these nights come the beginnings of her conformist behavior. "Popularity seemed to her to be worth all the work that had to be put into its achievement." She repeatedly states, "Men liked a good sport." In other words, she acts in a way as to make the men that she goes out with like her. She becomes the good sport through her sense of humor and her laughter. This is how she meets Herbie, her husband. He is instantly attracted to her because of these qualities, and they are married six weeks after they meet. Once comfortably married, Hazel begins showing other emotions. "She had not realized how tired she was. It was a delight, a new game, a holiday, to give up being a good sport." She finds joy in crying and in sadness. "To her who had laughed so much, crying was delicious. All sorrows became her sorrows." Herbie is not accustomed to the constant crying, and soon becomes resentful. Herbie is the first person to teach her

that it is not okay to show emotions other then happiness. The resentful feelings that Hazel's crying evoke are the beginning of the demise of their marriage. Herbie turns to drinking, and often comes home after work drunk. After awhile, Hazel the conformist starts to drink with him to try and remedy their relationship. The drinking does nothing for their relationship except destroy it. Herbie soon leaves, and Hazel becomes an alcoholic.

Hazel's overwhelming feeling of melancholy begins with Herbie when she realizes that he only wants the bubbly blonde that she portrays… not the woman that she is underneath. Hazel did not rejoice in the knowledge that she is not loved or appreciated for being herself. She dwells in it. What other people love the most about her is the thing that most fuels her sadness. She finds comfort in alcohol and soon depends on it to keep her in her high spirits. "She was never noticeably drunk and seldom nearly sober." After Herbie she has relationships with other men, all of whom like her because of the bubbly facade that she displays. Her next boyfriend, Ed, "insisted upon gaiety." He says, "I got worries of my own and plenty. Nobody wants to hear other people's troubles, sweety. What you got to do, you got to be a sport and forget it. See?" She is not allowed to be anything but the bubbly blonde. Otherwise, criticism is sure to follow. Her melancholy quickly turns into depression. Hazel's search for contentment and peace are never to be found. Her existence seems to be a fateful cycle that she cannot escape. She has tried repeatedly to escape the facade of gaiety that she loathes. People want her to be a good sport, but that is the thing that is feeding her misery. Suicide becomes Hazel's solution to

her problem. Even suicide fails her when one of the maids in the house finds her and sends for a doctor. Ironically, after finding consciousness, the maid that saves her life tells her "You cheer up, now." Immediately, she asks for a drink and begins the cycle all over again.

Hazel feels like she is trapped in a life that she has no control of. People have only superficial interests in her. She dwells in the fact that no man wants her for anything but a good time. She feels like she has no way to improve herself. All these things feed into the misery that Hazel feels, and the helpless feeling that has overcome her. She would conform to what people wanted from her, and then suffer from the melancholy that was sure to follow. It was a vicious cycle that Hazel finds no escape from. Even suicide, which is supposed to be the final ending, fails her. She finds no solace in the end of the story, and it implies that she will end up back in the cycle all over again.

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Terror

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BANKS have frozen the assets of an Australian group accused of having terrorist links, invoking emergency United Nations anti-terror sanctions for the first time in this country.

The group, International Sikh Youth Federation or ISYF, is banned in Britain and recently joined a long list of others branded terrorists by the United States, including Al-Qaeda and the Taliban.

A spokeswoman for Justice and Customs Minister Customs Minister Chris Ellison confirmed bank accounts held by the ISYF in Australia had been frozen, consistent with an international agreement signed after September 11.

The group's Australian president Karnail Singh denied any link to terrorists fighting for an independent Sikh homeland in India's northern Punjab state, which borders Pakistan and the disputed Kashmir province.

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Mr Karnail Singh said the clampdown was the result of a "misunderstanding".

"We never have anything to do with terrorism," he said. "We want to give clarification, we are very upset."

At last count the ISYF had around 500 members in branches across the country, including Sydney, Melbourne, Brisbane and Adelaide.

It is understood the group held accounts at ANZ and Commonwealth Bank.

Neither contained more than $2000 but it is not known how much money flowed through them in the past. ISYF branches in Britain and elsewhere are accused of funneling money to Sikh terrorists in India.

Prime Minister John Howard singled the ISYF out in October 2001 as a terrorist organisation that may be operating Australia, along with Middle Eastern groups Hammas and Hezbollah and the Tamil Tigers.

But it was not until June 12 this year, when the ISYF's name appeared on an updated list of proscribed organisations gazetted by the Department of Foreign Affairs, that alarm bells began ringing at the banks.

Senator Ellison's spokeswoman said they contacted the Australian Federal Police after rechecking their records.

"As a result of investigations Australian authorities believe that the accounts are owned and controlled by or on behalf of the International Sikh Youth Federation, which is a gazetted entity," she said.

India claims the group's leader, Lakhbir Singh Rode, is being sheltered by Pakistan in Lahore and has demanded his extradition to face charges of arms smuggling and assassination. But Mr Singh said the Australian ISYF had no connection with Lakhbir Singh Rode or the outlawed branches in Britain and elsewhere, despite having the same name.

"It's the same name, that's the misunderstanding. They can check that out if they like," he said.

The Australian ISYF worked to combat drug abuse among young people and never sent money to terrorist groups in India, he said.

The ISYF was seeking a meeting with Foreign Minister Alexander Downer.

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Understanding Latin America

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It is important for the understanding of Latin American literature to understand the conditions of Latin America. A large percentage of those living in Latin America are very poor. These people live in places that are not developed as well as the rest of the civilized world. Also, these people are often exploited by the governing establishment. The literature of this region reflects the attitudes of the people.

Several radical political changes have also deeply affected Latin America since the 160s. Military dictatorships have generally given way to democratically elected governments. Economic problems, however, have had a significant impact on the political systems in the region. In many cases suffrage and voter turnout are not true indicators of democracy; many of the poorest residents are now poorer and more segregated before elections. In several countries the desperation stemming from poverty, oppression of women, governmental neglect, corrupt politics, and unrealizable progress, has stimulated charismatic local leaders to initiate regional protest movements. Faced with such challenges to political power, many governments have turned to brutal repression to silence the voices of protest. Because many authors fear for their lives, they must present veiled criticisms of society such as "El teatro de la absurd." The dramas that were read in class were good indicators of these themes.

A central theme that flowed trough the text was the established order for women. In two dramas, El Delantal Blanco and La repetición, this topic was addressed. El Delantal Blanco was written by Sergio Vodanovic. Vodanovic was born in Chile. He wrote about social criticism and the clearly defined social function expected of women. El Delantal Blanco deals with the problems of a rich woman, La Señora, and a poor women, La empleada. The two women change roles and realize how the other side of life lives. This drama is an example of irony in Latin American literature. This drama speaks out about the limited opportunities for women and the sense of helplessness for the poor. La Repetición also addresses the limited roles of women. La Repeticion was written by Antón Arrufat. Arrufat lived in Cuba after the overthrow of the dictator Batista. He addresses the depression and hopeless existence of the economically deprived. In this drama the two characters, La Muchacha and La vecina. La muchacha is very young and the Vecina is very old. Throughout the course of the drama, we begin to understand that there is no hope for opportunity for women. To make his point, Arrufat uses masks. At the end of the play, the Vecina and Muchacha exchange masks to represent the cycle in which Latin American women are trapped. The authors used similar techniques to present their stories, however the central theme of helplessness for women is prominent.

Another aspect of Latin American literature is mistrust of the government. There were two very distinct protests for the government in our readings. The authors chose two different approaches to attack the government. First, El Censo written by Emilio Carballido is an attack on the established government in Mexico. El Censo tells the story of a poor Mexican family that is chosen to participate in a census. The family fearing the government, believes El Empardronador is coming to take away all the family possessions. Also, in this drama, Carballido presents a view of women as subordinates to men. In La Maestra, written by Enrique Buenaventura, the government is presented in a more negative way. In Columbia, were Buenaventura was born, there was a time of great civil unrest. Buenaventura writes about cruelty and violence toward the indigenous people. La Maestra tells the story of a teacher who starves herself to death in protest of the government. She tells about the murders of the villagers and speaks out from the grave about the government. Buenaventura uses brilliant symbolism to make his point.

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Latin American literature speaks about a broad spectrum of issues. The general mistrust of government and oppression of the people seem to be the predominant issues. This course not only assists in the learning of the Spanish language, but also teaches about the social issues that face the Hispanic people in the world.

Please note that this sample paper on Understanding Latin America is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Understanding Latin America, we are here to assist you. Your persuasive essay on Understanding Latin America will be written from scratch, so you do not have to worry about its originality. Order your authentic assignment and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!