Beeing there

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Being there

-by Jerzy Kosinski-

1; As the name, says Mr. Chance was born by chance. The only thing the mother left this orphan was her insanity. Like open-hearted children during their upbringing he has yet to develop a genuine identity. By twisting the dial of the remote control he is capable of entering a new phase, and simultaneously changing himself. This have resulted in an insensitive person incapable of showing true emotions, because he has never received love, but only limited amounts of amicability. Only when wandering admits trees, flowers and bushes he is showing rare signs of painstaking affection.

Kept in complete isolation Mr. Chance has become a person, which to the unwary might appear like mindless and jejune. He has accepted the strains put upon his life without protesting. A combination of frugal habits and a lack of curiosity has kept him from exploring the unknown, and has left him isolated in body and soul. A universe consisting of thoughts strange to the common man exists inside his head. Despite being mentally retarded and an alliterate he is both pensive and intelligent. Though being able to distinguish humans from plants by the difference in appearance he draws clever and revealing, although unintended, parallels between the two lifeforms. Some might consider him peace-loving and gentle, but one must remember that peace is all he knows. Mr. Chance lives in the present never worrying about neither the past nor the future. Bearing in mind that he is a creature of habit he leaves his fostering home and his garden behind with surprising calmness. As always just following the flow of events.

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Television has come to play an unprecedented important role in Mr. Chances' everyday life. In his lonely world, where one has to be seen to even exist, the screen supplies him with knowledge of the outside world. Apart from adding pastime from a scene that keeps repeating itself the television has learned Mr. Chance how to behave in certain situations. By using his facial expression he feigns the feeling he finds to be appropriate. The bottom line is that the television simply defines his reality, because he lacks the ability for separate and distinguish fiction from reality. That his reality is only a false and superficial version of our is quite a different matter.

2; We only hear him mentioned as "The Old Man". The "name" itself reveals a quite comprehensive and substantial amount of information on this faceless person, and the relationship between Mr. Chance and himself. "The Old Man" is an insensitive superficial and alienating designation lacking even the smallest sign of affection. Though being able to learn and remember the names of other characters in the novel Mr. Chance has never acquired that of The Old Man. This warder has kept Mr. Chance isolated from the life outside the high brick walls, with all its dangers and pleasures. Through threatening him with a life in oblivion on a mental institution this warder furthermore kept sure that he would never leave the complex. By forcing a vast number of rules and prohibitions upon him, The Old Man has created a human robot. This android follows his every instruction, and by exploiting it he is provided with cheap labour. The only expense is food and shelter. A prison-like shelter.

3; One could defend comparing Chances' departure from the garden to the biblical narrative dealing with The Garden of Eden. This notion would have Mr. Chance performing in the role as Adam. An interesting perspective. Forced to abandon his protective home to enter a complicated and menacing universe, of which he only has a faint impression, one would reason that he was likely to perish. As this would indeed leave us with quite a short book, it is maybe not as likely as first assumed.

In allowing myself to draw yet another comparison, I would accentuate the parallels between Mr. Chance and Oliver Twist. Both were orphans, raised in a strict environment, which they sooner left. Both ended up in the house of wealthy, influential, upper-class benefactors. And I predict that Mr. Chance will keep heading upwards. Apart from being fashionable, charming in his own sense, direct yet polite, eloquent, quite handsome and in the eyes of many, not including himself, amusing he possess sexual appeal, which will definitely help him on his way. Where this way will lead him only time and further reading will reveal.

All of the above was written prior to reading chapter four

4; In our culture it is customary to sympathize with people, whom by starting from ground zero and therefrom working their through the layers of our society, finally reaches the ultimate recognition. We define their eventful experiences as fairytales. And a fairytale is just what this novel is beginning to look like. It is a bad kept secret that fairytales are aimed at children, and without being over-modest I would allow myself to claim that I have left the stage of childhood. Sure, the idea of a man unknown to the world hurled into a world unknown to him possess fascinating elements, but with a plot as unrealistic and saccharine as in this instance, I find myself losing interest. My concern further extends to the rapid progression of the story. If the tempo does not slow down it will end before even really starting. In the same breath as I accentuate the, in my opinion, apparent drawbacks I will however take up a defending standpoint. After all I am no only negatively disposed. Among other things the language of the text is worth paying attention to. It is very accessible and it does not consist of an exaggerated amount of foreign words, or word that has to be looked up in a dictionary. Apart from this I believe that I am forming an impression of the message the author is trying to promote. And as this message is a matter current interest and a message I am agreeing to, I am looking forward to reading the remainder of the book, in spite of the above-mentioned drawbacks.

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