Gone with the wind

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Scarletts OHaras final words in Gone With the Wind may be the most recognizable, and quoted, in film history. Even those who havent seen the film know the reference, a phenomenon evidently assumed by art critic Robert Hughes when he closed his recent eight-part video history of American art and architecture, American Visions with this of all lines.NOTE 1 That the film is popular and has been literally since its premiere in December 1 may be all too obvious, but less clear is the meaning and sources of this popularity. My claims are, first, that Americas relationship to Gone With the Wind is more complex than popularity suggests and might be characterized as one of love/hate--for the subject matter, the characters, even for the films notoriety. Second, this love/hate relationship is rooted, I believe, in the ways in which American myths, particularly those related to sex and gender, are both referenced and then violated in this film, particularly in the character of Scarlett OHara.

What seems to bother many viewers, including critics, is that Gone With the Wind is Scarletts story. Typical was film critic Otis Ferguson, who wrote, Scarlett is too many things in too rapid succession; the exact point of her aspirations is confused; there is so much sobbing and color and DeMille display, such a mudbath of theme music, that a clean realization of character or events is out of the question.NOTE

The seeming inability to understand Scarletts character is at the heart of both the dynamics of Gone With the Wind and responses to it. Scarlett makes viewers uncomfortable because she exposes the underside of regional and gender myths while embodying basic American (male) values transformed (but not transplanted) during an era of drastic economic change. The central, consistent, and apparently disturbing, theme of Scarletts ambiguous gender identity can be seen in three interrelated aspects of her life her relation to gender roles and other people; her relation to economic ideals and realities; and her relation to the war.

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Cubism

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Cubism is an early twentieth century school of painting and sculpture in which the subject matter is portrayed by geometrical forms without realistic detail. That makes it mystic and difficult to analyze and define their ambiguous meaning. During that period, Jacques Riviere is one of a few cubism critics who profoundly know and understand cubism. Especially, he is able to interpret it in words which are easily comprehensible to the other. He does not only conveys the cubists' concepts but the mistakes of their works as well.

The essence of the cubists is to portray what objects really are instead of images which normal people see. Consequently, the images look distort from the original shape. Riviere analyzes the cubism transformation concepts in two functions including eliminating lighting and perspective. The cubists replace all these qualities by plastic values. They believe that lighting effects change the true senses of things. They reject the concept and nature of lighting and substitute to the equal and subtle distribution. The shade that normally place on some parts of object, are dispensed into a small portion to every part of object by placing it near the edge of surface, in order to divide and mark successive inclination of the parts of object. Therefore, the geometrical forms benefit them to unleash from the lighting rule. The advantage of this procedure is the unity and the separation function simultaneously.

Perspective is another thing that cubists remove because it conceals the true form of an object, as it will change every single time when we move the position. Therefore, the plastic image is used to represent all aspects of the object in only one sight. It sometimes reveals the exaggerate image that normally it is impossible to see at one position. Basically, perspective gives the depth of an object but the cubists think the depth is not only expressed by perspective. Perspective does not indicate depth by itself; instead the outlining profile implies it. The artist manipulates depth by the solid form and subtle object accompaniment. The advantage of this process is to mark the difference and relation between objects.

Then Riviere examines the mistakes of the cubists in several ways. First, from cubism concept, revealing every face of an object by placing side by side that give up its volume. Thus, it makes the image of the object flat like an unfolded map. Second, the cubists eliminate lighting and perspective because they don't want to unequally value between objects or parts of them. Perspective and lighting suggest the point of interest and the arrangement of the objects and picture, but they reject subordination causes so that their works fall back to the confusion and disorder things. The last, the cubism procedure represent the depth for the only purpose to set apart an object from another. The artist prolongs every direction of object and fills up the space between object by walls. Riviere claims that it useless and does away from their aims by the effects. Yet, it messes up their works and makes their works doubtful.

The cubists found a new principle by taking away of individual object meaning, in order to share the equal value to all together or the unity. They leave out the volume of the object to erase its component. And they represent solid forms instead of the depth by which separate an object to another. However, Riviere thinks that from the cubism rules make their works look

nonsensical and confusing.

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The jilting of granny weatherall

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07/0/0.

Arturo Uzcategui.

Mini-research paper

Granny Weatherall a hard-hitting woman.

Write my paper on the jilting of granny weatherall for me

The very well known writer, Katherine Anne Porter, show us a very peculiar

character in one of her most famous short stories called "The Jilting of

Granny Weatherall". This narrative will have a profound and powerful effect on

the intelligence, imagination and feelings of any student. It is a story that

has richness of literal, figurative details, and illuminating visions of

Reality ( Altieri). Granny Weatherall, who would obviously be the main character in this

story, is going to be the one I will base my research on. This character is not

like any character we see in every story. Granny is a complex personality that

is directly related to Katherine Anne Porter. Porter had her personal reasons,

when she decided to write about her. This is a story mainly based on the

experiences Granny had before she died. Subsequently, It will be stated a brief

summary of the plot, and the different characteristics that describe the

personality of Granny Weatherall.

"The Jilting of Granny Weatherall" opens with Doctor Harry visiting the eighty

year old Granny during her final day of life. Next, the author moves to the

stream of consciousness narration which renders the thoughts and memories of

Granny's mind (Altieri.) Throughout the story, Granny reviews her life by

remembering the

important moments, disappointments, achievements, and feelings. Among all these

events, it is relevant to mention the caring for sick children and animals, the

lost of her last born, the dead of her husband, and the jilting sixty years ago,

when she was abandoned by George at the altar. She was never able to forgive him

because of the pain and humiliation he caused her, which will produce

hallucinations of him in the course of the story. Granny is remembering all the

time about her life and then dividing the present as dark times and the past as

the most brilliant and lightest times (Bloom, 186). Thus, the author will move

back and forth

from the past through the present using visions and hallucinations. At the same

time, Cornelia (Granny's daughter) is always taking care of her and suffering

the death of her mother. All the actions are placed in Granny's room, where all

of her family is accompanying her in her last moments. Along the family, Father

Connolly and Doctor Harry are next to Granny. At the end, the room seems to be

swallowed by the darkness and Granny ask for a sign of God that will never come

and then the darkness consume her when she blows out the light (Allen, 156),

which will mean

the death of Granny Weatherall.

This story is used by Porter partially to elaborate a fictional presentation of

her actual grandmother. The story is presented by an omniscient observer who

reports the consciousness movements of Granny from the present to the past,

including all of her old fears and dreams. Similar to Porter's grandmother Rhea,

Granny had been a strong-willed, active woman who had buried a young husband and

brought up a family (Hendrick, 165). Granny's emotional and spiritual

well-being is menaced by

the revival of the memory of George who jilted her. Granny gave order to her

life after her jilting. Then, she feels very confident and secure. She even

feels that she has death under control. However, everything seems to break apart

when Hapsy's memories come to her mind in her last moments ( Hardy, 17). Hapsy was the last

born that Granny lost. Hapsy seems to be the daughter she loved most but also

the one who had caused her most pain. Later on, Granny begins to have confused

visions or hallucinations of Hapsy as if Hapsy were Granny herself carrying a

baby. Then, Granny confuses Cornelia with Hapsy and makes this mistake with

Lydia, too. The disorder of Granny's past forces itself to show up over the

artificial " ordered life" cover that it had before, and Granny's fear of the

return of George to her memory comes true ( Hendrick). In these moments, she

realizes that

she can not control death. She was not as prepared for it as she thought. Death

would not let her put her life in order at last. She tried to love God without

forgiving the man who jilted her and therefore she ended as " one of the

foolish virgins without sufficient oil in her lamp to attend the bridegroom's

coming" ( Bloom). Granny did not have a complete success because she thought

that being

a human being means being orderly. She did not realized that the jilting was a

cause of disorder as well as a cause of order to her life. The next sixty years

of her life, after her jilting, would be an attempt to reorder her life through

religion, marriage, and bringing up a family ( Hardy). However, none of these

would help

her at all in finding the happiness one day she thought she could have.

Lamentably, Love disappeared for her the day in which George never showed up.

From that moment on, she would never dare to love anyone else and the wound

would never healed ( Hardy.) All of these means that Granny had internal

oppositions

during almost all of her life. There were two feelings or sides fighting one

against the other. At the end, Granny dies with a great feeling of

disappointment, which would never be compensated ( Hendrick.)

After a long wait, I can say that what we see here is a woman who realizes, in

great resentment, that she has never lived. A fact that happens at the end of

her life. It is not by chance that Henry David Thoreau's words come to mind at

the end of " The jilting of Granny Weatherall." Thoreau wrote that the " mass

of men lead lives of quiet desperation" ( 155). Porter tries to show us the

readers a life of quiet desperation. Granny lying on her death-bed and hoping

for ex detonation machine, ends up blaming a distant god for not showing up to

solve everything and make it all right (Hardy.)

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An Accident

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I was merely a child when it happened. The day I was persecuted for a crime I did not commit. The day I was wrongly accused. The day I was betrayed by my own mother!

It all began on a stormy winter day. My family and I had just moved into our new house and were extremely excited. The four of us; my mom Kaiya, Dad Jim, little brother Jake, and I all decided to make one last stop at Grandma's house.

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There was a lot of snow from the storm we had recently had. So my mom, Kaiya, loaded Jake and I into our car. The two of us are notorious for fighting so she left us with the warning, "Dad and I will be ready to go in two minutes, so we better not catch you fighting or you'll have to cut the lawn with scissors!" Hearing this I knew I better listen, but my brother was not so wise. The moment the car door shut he was up to no good. He started jumping around, yelling and acting like a complete idiot! Now, I don't have a lot of patience, so I stared into his baby blue eyes, giving him a look of death, and viscously told him to, "Sit down and shut up!" He would have nothing to do with me, and the next thing I knew he had rolled down the car door window and was hanging out of it like a mandrill!

After about a minute I noticed that Jacob was very quiet. This was extremely odd and as I stared at him I realized that he was stepping on the window control panel! A jolt of pure terror coursed through my entire body. My petite legs drove me to my mom in a flash of light. In a most horrified voice I screamed, "Jake rolled his head up in the window!" She glared at me with a stare so cold it pierced my soul. And with that I knew she thought I did it. There was no time to mope, before I knew it, I was thrown in the backseat and we were on our way to the hospital. Between my brother's gasps for air I prayed to God to let him live. If only he would grant me that, I would never harass Jake again.

We never did make it to the hospital. On the way he recovered splendidly. No matter how insignificant his injuries, I never will forget that feeling that I may lose my only brother forever.

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Analysis Of Death SceneJane Eyre

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Jane Eyre - Close analysis of pgs 80 & 81 - The death of Helen Burns

Influences in the authors mind are less, as being a author has no creative boundaries but influences from the society are quite a hefty load on the author. In this case Jane Eyre has many influences from the Victorian era which is when this book is written. In the following paragraphs I will analyze in detail the links between Victorian era and this novel in this specific scene.

The few basic concepts of the Victorian era displayed in this scene are

Friendship is a bond that is eternal. This is what is shown in the relationship between Jane Eyre and Helen Burns. This scene is the death scene of Helen Burns, this scene has occurred due to the poor conditions, etc in Lowood Institution. The scene starts as it portrays Jane in her bed, the time is an hour before midnight, Jane is constantly thinking of Helens condition, Jane gets out of her bed and starts moving towards Miss Temples room, this is where Helen is kept. Jane is narrating this paragraph, and she describes herself in a Quest to find Helen. This shows how close Jane finds herself to Helen. The description of the environment is silent, stealthy and dark. Bronte uses words such as Crept, Unclouded summer moon and softly to set the atmosphere for the reader. Jane narrates and uses words as dread being caught and must to show the strong bond between her and Helen, the word I must shows just how important Helen is to her. Jane says to herself one last kiss, exchange with her one last word, which signifies that Jane already knows the condition Helen is in. Jane reaches Miss Temples room undetected.

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A light shone is a clich , symbolic for something like celestial angel which is how Bronte portrays Miss Temple, Jane uses words such as hesitate, quivering, impatient impulses this speeds up the scene to a certain extent. She also uses the words Souls and Senses which in someway shows gothic nature. My eyes sought Helen and feared to find death, The use of alliterative content to portray a better picture of fear for the reader. Close to Miss Temples chair, and half covered with white curtains, there stood a little crib pay close attention to the terms white which signifies purity and crib, which relates the reader to a baby, just the condition Helen is in right now, helpless and fragile. An unsnuffed candle burnt dimly on the table in this sentence the candle burning dimly is a metaphor that signifies the amount of life Helen has inside of her.

Jane uses the words corpse, pale, wasted which shows a ghostly almost gothic sensation. Helen! i whispered softly, are you awake? , the use of ? and ! puts a bit of excitement as a topping to indulge the reader furthermore into the scene. Bronte furthermore portrays through the use of body language by Jane as in her cheek both cold and thin, but she smiled as of old. This sentence shows that Helen is mentally strong but physically weak. The difference in these paragraphs between Jane and Helen is that Bronte portrays Helen as calm and collective whereas Jane as quick and jumpy.

There are many themes that are shown in these two pages some of them being friendship, love, death, religion, abandonment, moral and guidance. These themes some of them have been used throughout the novel, but some just newly introduced, such as the theme of friendship and love have just been introduced, love is further stretched when Jane meets Mr Brockelhurst. The theme of religion is displayed here through the use of gothic terms, such as Souls and Senses and the description of the Dark , Stealthy environment.

Yes; to my long home - my last home , Bronte conveys euphemism, by referring to death as a soft comfortable home. Bronte puts a certain amount of pressure and impact on the reader when she uses the words coughing seized. Helen also has a definite relationship and affection to Jane which is shown when she gives Jane a sensitive but imperative order to Lie down and cover yourself . Helen being the older one of the two acted as the elderly sister or evermore the mother in the girls relationship this is shown by the words nestled close to her , this is a motherly nature of birds. Helen as usual sees herself always at fault and always tries to look at the bright side of life, she thinks of herself less and more about comforting Jane. This is shown when Helen says i should have been continually at fault. and there is nothing to grieve about, Jane.

The theme of religion is again displayed through Jane in a matter of confusion when she says But where are you going Helen? Can you see? Do you know? . Helen replies by I believe; I have faith; I am going to god, this shows that Helen is a devoted follower of God, through the repetition of I this sentence gives a better impact to the reader, and afterwards Helen describes God and all of his positive traits and also uses the repetition of the word God. She describes God as a friend, and the fact that she loves and believes in him. There is contrasting characterization between the two about the subject of God and Religion, therefore Bronte uses Jane as a questioning tool, to make the reader get a better understanding, this puts the reader right into Janes shoes.

"How comfortable I am! That last fit of coughing has tired me a little; I feel as if I could sleep , the scene is about to close and it closes with Helen saying these few sentences and drifting of to eternal sleep., she insists on Jane not leaving her till her final moment and this signifies as quoted previously Friendship is a bond that is eternal , Helen says that after Jane dies she would see Helen again as she would come in the same land Helen believes she's going to, showing just how true and rare their friendship is. The scene ends with Jane and Helen saying Good - Bye to each other, the last words by Helen as she drifts of to eternal sleep.

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