What are the objectives for a director for Act 2 Scene 2 and how would these be communicated to the audience?

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Act Scene is a very important scene in the play Macbeth in terms of its drama and tension. It reveals key features in terms of Lady Macbeth and Macbeth's relationship and their reaction, in private, to the horror of King Duncan's murder. A director can interpretate this scene in many different ways but must communicate to the audience that this is a scene in which both characters face the reality of what they have done.


The main aim and objectives for a director is to convey the mood and the atmosphere of the scene. There is panic and a sense of danger and urgency throughout the scene because as the audiences, we know Macbeth has just gone to kill Duncun and at the beginning there is a sense of anticipation as the audience know Lady Macbeth is waiting for him to come and confirm to her that he has 'done the deed'. Here is an element of suspense too because as Lady Macbeth is waiting for Macbeth's arrival but we also sense her fear that someone may come and catch them. It is important for a director to understand how to communicate this to the audience through the staging. In the RSC production, directed by Gregory Doran, the stage was set to suggest the space inside a castle. The place created shadows and noises as the characters moved from one place to another. This staging created a very cold and dark atmosphere due to the colours that were used, which were black, grey and whites. Visually, this contrasted a great deal with the image of blood dominant with the scene.


Lady Macbeth helps to convey the mood and atmosphere at the beginning of the scene by using the staging. In the RSC production, Lady Macbeth, played by Harriet Walter, uses the staging quite well. She does this by moving with the space from one place to another which almost suggests she is trying to disguise herself from being noticed by anyone around. This also points out her weakness and allows herself to be more honest. She delivers her lines in a fast pace but in a hurried whisper so that no one can hear her and this shows the different thoughts and worries going through her mind. Her movement and the way she breathes heavily shows there is an element of panic and urgency. Here we see her fear because before she comes into the scene, she drinks alcohol to give herself dutch courage and this contradicts our first impressions of her which was of a strong, determined and a very ambitious woman when she called upon the spirits of darkness to give her strength to carry out Duncan's murder


'Come, you sprits that tend on mortal thoughts! Unsex me here, and fill me form the crown to the toe top of direst cruelty…'


Here she wants the sprits to take away all the kindness and fill her mind with the cruellest thoughts to kill Duncan. However, by drinking alcohol, we as the audience, know the fears and insecurities she has which is she is fear if the murder does not take place and someone catches them. Indeed Lady Macbeth says that she, herself, would have killed Duncan herself if he did not remind her of her father. This has a sense if irony because earlier on she calls Macbeth a 'coward' for being afraid to kill Duncun when in fact it is


her who is afraid of the situation. Furthermore, Lady Macbeth is easily startled by noises around her and she to calm herself down - 'Peace!'


The situation intensifies further by Macbeth's entry, this is because he has just killed Duncun. There is a sense of danger and urgency which is conveyed by the structure of dialogue which is quick pace with short questions and reply. Within this dialogue, there is a sense of confusion because Macbeth thinks he has heard noises and also that he appears to be lost more in his thoughts about what he has just done than what Lady Macbeth is trying to tell him. The spacing in the RSC production Gregory Doran helps to convey this through the actors body language and positioning.


Macbeth's state of mind also changes the mood of the scene after his entry. He regrets what he has done and when he looks at his hands he says


'This is a sorry sight'


He says this because he feels very guilty of what he has done and he realises he can not say 'Amen' because he has aware of committing the act of regicide. From here the tension starts to grow and this comes from Lady Macbeth's attempt to calming Macbeth down. She uses variety of tactics to calm Macbeth and she does this by appealing to his sense of masculinity


'Why worth thane, you do unbend your noble strength to think so brain sickly of things…'


She tries to persuade him to focus on practical things than brooding the crime. In the RSC production Lady Macbeth attempts to calm him down physically by putting her hands on to his mouth a she is scared of him shouting. This is shown in the RSC production.


When Macbeth sees the blood on his hands he broods on what he has done


'As they had seen me with these hangman's hands…'


A Jacobean audience would have recognised the connection to 'hangman's hands' immediately. A hangman would have also had responsibilities for drawing and quartering people at public executions. Ironically, this was reserved for traitors and in committing the crime of regicide. Macbeth realises this and is guilty of treason. This is visually important and significant because it demonstrates Macbeth's attitude to what he has done and this suggests the brutality of the crime.


When Macbeth refuses to put the daggers back, Lady Macbeth makes a decision and acts upon it but because Macbeth is on the edge of losing control. In the RSC production, Gregory Doran demonstrates Antony Sher (Macbeth) holding the daggers in a way that Harriet Walter (Lady Macbeth) feels a sense of threat and tells him


'Infirm of purpose. Give me the daggers…'


Lady Macbeth is frustrated at Macbeth and annoyed at his behaviour. This shows that Macbeth feels really guilty of his actions despite being a solider who is used to blood shed


'Unsieved him from the nave and chaps…'


Lady Macbeth knows that Macbeth is used to bloodshed and performed acts of brutality. However, in killing the King he almost feels that he is damned. Lady Macbeth decides to be practical and takes the daggers from him and belittles him. We see Lady Macbeth be practical before this Act and this was when she persuades Macbeth and tells him she has got a plan


'Leave all the rest to me.'


This shows Lady Macbeth is a very determined woman who would do anything to get what she wants. She becomes dominant and 'masculine'. This is ironic because of what Macbeth says to her earlier in the play


'…bring forth male children…'


This shows Lady Macbeth's stereotypical masculine role in their relationship and how she takes control of the situation.


Before, Lady Macbeth and Macbeth think they hear noises but later they realise that there is knocking on the door. This is the first time the scene is making contact with the outside world. This is why the pace changes as well as the atmosphere. There is a sense of immediacy as they have to return to the chamber and hide all the evidence without being seen. As Macbeth hears the knocking, he becomes lost in his thoughts and Lady Macbeth becomes practical to tell him to go back to bed and put on his night gown so that no one suspects them. At the end of this scene, Macbeth shouts


'Wake Duncan with thy knocking! I would thou couldst!'


and there is a sense of genuine stress and concern from Lady Macbeth for Macbeth and for her safety.


This scene is very important in terms of the dramatic irony used and in terms of what happens to the characters later in the play. A good director will convey this through strong performances, the character's behaviour and responses, leaving an impression on the audiences. Although Lady Macbeth appears strong in this scene, Macbeth is afraid of what will happen. Ironically later in the play it is Lady Macbeth who is guilt ridden and cannot sleep or rest easily. Macbeth feels guilt stricken as he is on the verge of losing control a she feels damned and will be able to sleep easily or rest.


'Sleep no more…Glamis hath murder'd sleep…'


Ironically, after Macbeth becomes King, Lady Macbeth looses her dominance and Macbeth becomes stronger. Macbeth feels distraught and convinced that he has murdered 'the innocent sleep' and that his hands will never be clean no matter how much water he outs on his hands


'Will all great Neptune's ocean wash this blood clean form my hand?'


In the RSC production Gregory Doran conveys this across to the audience by Antony Sher (Macbeth) raising his hands and looking at it. This shows how much concerned he is in committing the act of regicide. The response to this from Lady Macbeth is dismissive, she is practical and scornfully reassures him that


'A little water clears us of this deed…'


However, after Banquo's ghost scene, Lady Macbeth is driven mad by what they have done and this reflects back to what she had said to Macbeth which was


'These deeds must not be thought after these ways; so, it will make is mad.'


After she goes mad, in performance, Lady Macbeth sleep walks and her concerns reveal her state of mind but they also recall her former self


'Yet who would have thought the old man to have had so much blood in him.'


This is a reference to their blood stained hands after the murder of Duncun. In the same way, the never ending washing of her hands and her complaint


'What, will these hands ne'er be clean?'


is an ironic reference to the advice she gave to her husband in the scene where Duncun was killed with great confidence and practical


'A little water will clear us of this deed.'


Lady Macbeth also uses her hands as actions to wash away the blood she thinks is there and she also makes other references about what she and Macbeth said that night of the murder. At the scene of the crime, Lady Macbeth felt that their guilt would be quickly and easily washed away but in her mind, Lady Macbeth realises that she will never be able to get rid of her guilt. Her thoughts appear to be spoken at random, but there is a kind of insane logic in them. Later, Lady Macbeth becomes over welmed of what they have done and dies with the guilt.


The imagery and language used in this scene are very important especially 'blood' because it becomes powerful when performing on the stage throughout the entire play.


'I am in blood stepp'd so far, that, should I wade no more, returning were as tedious as go o'er.'


Here Macbeth describes his position, now that he has got power. He explains he is trapped and troubled and he knows that he has to do more murders to gain more power. The word 'blood' is a dominate image itself in performance and in context because it highlights the scene visually and in language.


If I were to direct this scene then I would want to bring out the human side of Lady Macbeth. Before she arrives into the scene she drinks alcohol to give herself ductch courage but when Macbeth shows his fear we see her fear too. However, it is evident that Lady Macbeth's character can be played differently then the human side, which can be strong and more dominant yet we do see aspects of her human side as she arrives into the scene.


The overall aims and objectives for any director to direct this particular scene would be to maintain the mood and atmosphere, to clearly show the confusion on Macbeth's facial, body language a s well as the way he delivers his lines and to highlight the actions of 'blood' visually and in context. Furthermore, how Lady Macbeth appears dominate and practical towards Macbeth and herself after the deed has been done, but most important of all it is how this is to be communicated to the audience.


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