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Copyright 00 Plain Dealer Publishing Co.

Plain Dealer (Cleveland, Ohio)

September 11, 00 Wednesday, Final / All

SECTION ARTS & LIFE; Pg. E1

LENGTH 74 words

HEADLINE A perfect tribute to lives unfinished

BYLINE Donald Rosenberg, Plain Dealer Classical Music Critic

BODY

CLASSICAL MUSIC

It is eminently fitting that musicians around the world have chosen to perform Mozarts Requiem this morning to commemorate the first anniversary of the Sept. 11 terrorist attacks.

Unlike Berlioz, Verdi or other beloved composers who wrote works set to the Latin Mass for the dead, Mozart was unable to complete this act of creation. Just as the lives of the victims of Sept. 11 were cut short, Mozart died at age 5 in December 171, leaving to colleagues and future composers the impossible task of matching his inimitable musical voice in the Requiem.

Yet whatever version of the Mozart Requiem musicians opt to perform (and there are many), they are touching upon some of the most sublime artistic moments in Western culture. The sections in the Requiem known to be by Mozart are heartbreaking, angry or soothing - penetrating explorations of death by a composer at the height of his incomparable skills.

As part of todays international Rolling Requiem, which includes 180 complete or partial performances of Mozarts Requiem in 7 countries, the PAND Orchestra and Chorus and Cleveland Orchestra assistant conductor Steven Smith will offer the work in its entirety starting at 80 a.m. at St. John Cathedral in downtown Cleveland.

After the Kyrie, Bishop Anthony J. Pilla of the Cleveland Catholic Diocese will give the invocation, followed at 846- the moment a year ago when the first plane struck the World Trade Center - by a minute of silence. The remainder of the Requiem then will be performed.

So much about the Requiem has been blurred over the centuries that its hard to know what to believe. Milos Formans movie Amadeus, an entertaining variation on Mozarts life, revels in poetic license, though details often come close to historic truth.

In the movie, Mozart is visited by a masked messenger - to the ominous strains of the Don Giovanni overture - who requests that the composer write a Requiem for an unnamed patron. Were led to believe that Mozart never knows who commissioned the piece and that Antonio Salieri, the elegant court composer who resents his earthy colleagues genius, helps him complete the Requiem.

But musical detectives long have known that a certain Count Walsegg, with whom Mozart might have been acquainted, asked for the piece as a memorial to his young wife. It is possible that the music-loving count had his steward make the request so that Walsegg could remain anonymous - and pass the Requiem off as his own.

Whatever the circumstances, Mozart accepted the commission but couldnt begin work until he finished two operas, La Clemenza di Tito and The Magic Flute. When he finally got to the Requiem in October 171, he was already ill and often unable to compose.

From Nov. 0 until Dec. 5, the day of his death, Mozart was confined to his bed, though he occasionally asked that the score of the Requiem be brought to him. At one point, he said he was composing the Requiem for himself.

Mozarts death presented Constanze, his widow, with more than a few challenges, including the responsibility of finding someone to complete the Requiem (and thus enabling her to obtain the rest of the counts fee). Constanze turned to three Viennese composers to work on the project before entrusting the bulk of the assignment to Franz Xaver Sussmayr, who has been both celebrated and reviled for his treatment.

Sussmayr didnt bungle the job, but he certainly never approached Mozarts level. (Who could?) The music entirely or mostly by Mozart (Kyrie, Dies irae, the first eight bars of Lacrimosa, Domine Jesu, Domine hostias) is as inspired as anything the composer wrote. Sussmayrs main contributions are the Sanctus, Benedictus and Agnus Dei, which are stylish yet conventional, and he wisely repeats earlier Requiem material by Mozart in the Lux aeterna and Cum sanctis tuis.

As listeners around the globe listen to the Requiem this morning (the Sussmayr version is being used in Cleveland), they arent likely to ponder the travails of this great work or the pain of a composer about to pass into another world. But the emotional illumination and depth that Mozart achieved in so much of the piece surely will exert its powerful effect - and compel us to recall those whose lives were unfinished symphonies.

Rosenberg is classical music critic of The Plain Dealer.

To reach this Plain Dealer reporter

drosenberg@plaind.com, 16--46

GRAPHIC ASSOCIATED PRESS FILE PHOTO Wolfgang Amadeus Mozart was unable to finish his great Requiem before his death in 171, but what he did write includes some of the most sublime artistic moments in Western culture. Mozart

LOAD-DATE September 1, 00

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