American government and society as portrayed in the novel Ragtime

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E.L. Doctorow's novel "Ragtime" is a discussion on turn of the century American society, government, and ideals. Throughout the novel, Doctorow discusses the intertwining relationships between a number of characters, each coming from various places within society. The Jewish, immigrant, socialist Tateh and his young daughter, the middle-class family of mother, father, mother's younger brother, and the little boy, Coalhouse Porter the social misfit who is a economically rising black man, each of these characters represent a portion of society and the problems both externally and internally afflicting American social consciousness at the time. Interdispersed between these main character stories is the placement of actual historical events and people. Doctorow places well-known events and people to give credence to his discussion of democratic values and liberalist deficiencies in American society.

Throughout the novel Dokorow examines the intertwining relationships between members of varying echelons of American society. Roger Smith's article Multiple Traditions in America concerns the liberal democratic ideals of American life, accompanied with a capitalistic economy foster in theory the possibility for a man below his means to aspire and reach a social standing above his usual place in society. Combining Smith's discussions and Doctorow's stories creates a stunning portrait of the pitfalls of American. Smith points to Toqueville's Democracy in America, which displays the egalitarian and opportunistic tone to settling America. "The vast stretches of land inhabited by wandering tribes who had not thought of exploiting the soil enabled European immigrants to spread out and make their fortune as opposed to nations where most lands formed parts of large hereditary estates." Though he points to the Europeans solely in his analysis, this was mainly due to the fact that immigrants at the time were predominantly, if not completely, European in origin. Toqueville goes on to argue that thought the majority of immigrants were European, they came without "any idea of superiority of some over others." This can be traced to their overwhelming protestant beliefs, and their disdain for the monarchistic, and aristocratic nature of European society. Instead, America was built on a "middle-class, democratic freedom." This ideal is conducive to republican idealism, and liberal ideals. Equality and opportunity abound for those who are searching for freedom in American society.

The so-called egalitarian rights and opportunities, however, were not extended to those of "new" immigrants, nor to blacks. It can be argued that at the time the thought was prevalent that white and blacks could never be held on equal footings due to the overwhelming physical and intellectual differences. Yet, Coalhouse Porter, a high aspiring and successful black musician (could afford to buy a car) cannot reach the equality he knows and desires, and in the end he is doomed to tragedy. The American ideal is just a dream that not a true constant to American society. Between racial, gender and social inequalities, the American ideal is only attainable to a chosen few. Coalhouse attempted to reach a higher plain in American life. He could afford to buy a car, he dressed as a man accustomed to success, and he tried to be an upright figure in his doomed fianc e's life. If the color of his skin would have been white, Coalhouse's life most likely not have taken the violent and revolutionary turn that it did. The Irish firemen singled him out based on the color of his skin, and the success he had achieved relative to the white Anglo-Saxon immigrants surrounding him.

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At same time there is the character of Tateh and the little girl who not only went through the ultimate pain of the infidelity of the mother, but also with the desperation of poverty being immigrants with nothing to claim for their own they lived in filthy tenements, worked in dangerous factories, and tried to survive of meager pay checks. The immigrants of the day were forced to deal with a capitalistic world, ripe with labor problems, and social inequalities that had plagued the United States throughout the industrial revolution. Immigrants who entered the United States came with great dreams of the possibilities that existed for them. Yet, the reality of the situation was that the life that was available to the immigrants was often far from their dreams. They entered a society bent on exploiting the immigrants' shortcomings, a society that refused to accept them as equals, and barely saw them as human beings. "Many people believed that fifth and starvation and disease was what the immigrant got for his moral degeneracy." Immigrants were a lower form of life, with no morality, and were comparable to animals. The fact that Tateh was a Jewish immigrant placed him at the back of the social pecking order amongst his fellow Americans.

"They [immigrants] were despised by New Yorkers. They were filthy and illiterate…they had no honor and worked for nest to nothing. They stole. They drank. They raped their own daughters…among those who despised them the most were the second-generation Irish, whose fathers had seem guilty of the same crimes." American society saw immigrants as a sub-level of humanity. They ascribed to them characteristics and qualities one would expect from animals, and thought of their entrance into the United States as unacceptable. They were amoral and naturally prone to crime and violence. In his article "Multiple Traditions in America", Roger Smith quickly outlined the plight of the Chinese immigrant during the late nineteenth and early twentieth centuries. He stated that according to California senator John Miller the Chinese were "automatic engines of flesh and blood, of obtuse nerve, marked by degradation and demoralization, and thus far below the Anglo-Saxon..." This view of non-northern European immigrants was common not only throughout American society, but also throughout the American government. Though the prejudices against the Chinese were taken to a new level, when the state of California, and later the entire United States, restricted the immigration of Chinese into America. The government turned to laws inorder to "maintain an inclusive feature of American law while sharply reducing the resident Chinese population."

"…Women may not vote, they may not love whom they want, they may not develop their minds and their spirits…"

"…like all whores you value propriety. You are a creature of capitalism, the ethics of which are so totally corrupt and hypocritical that your beauty is no more than the beauty of gold, which is to say false and cold and useless."

The Eskimos that father comes upon during his voyage to the North Pole, again are seen as animals. They are primitive in comparison to their white leaders. The Eskimos, according to father, are barely human, the men are constantly trying to restrain from killing themselves, while the women have no restraint nor decency, exhibited by their blatant disregard for propriety during sexual intercourse. Peary, the leader of the expedition to the North Pole, refereed to the Eskimos in paternalistic phrases "Our little brown brothers have to be taught a lesson…" Father refers to them as "primitive" "animal"; these are monikers that American society has placed upon "lesser" races. Yet, the liberal and republican traditions of America itself stress that "…ordinary men and women are entitled to representative self-governance, that all who live in the political community should be able to participate in public life as equals, and that citizens should have freedom for different religious outlooks and other sorts of pursuits in their private lives." This view of American civic life may connect more with a modern day view of society, but at the turn-of-the-century these beliefs' were held few and far between.

To the Anglo-Saxon elites, the African-Americans, the Native Americans, and the lesser immigrants were not seen as equals. They were outsiders to society and government, and the thought existed that they should remain so. The scope of equality, whether it is racial, religious, or social, did not stretch to the minorities. As cited in Smith's article, Lawrence Fuchs states "the Euro-American determinations to maintain a racially exclusive civic culture was not abandoned until the 160's to 180's." Yet the decree for liberty, and equality had taken place centuries before. A nation built on liberalism, and republican ideals by definition is understood to be in opposition to "racism, nativism, and patriarchy"; it pushes forth the moral worth of human equality and gives them "inalienable rights to freedom, justice, and a fair opportunity." While at the same time denounces, "differences made on account of race, creed, and color." This is evident throughout Ragtime, from the treatment of Coalhouse by the firemen, the police department, and by the public in general, as well the violent suppression of the immigrant factory workers during the labor strike. This suppression is doubly condemning; because the workers were demanding fair treatment, fair pay, and safer working conditions. Basically demands that would seem reasonable from Anglo-Saxon natives.

Tateh is able to fulfill the American dream, though it almost kills him in the process. Though the labor strikes in Lawrence, to the dingy tenements they are forced to live in, Tateh lives his days in despair and filth. Yet somehow he is able to profit from the consumerism that consumed the society of his day, and stumbles upon a primitive form of motion pictures. One of the few bright spots painted by Doctorow, Tateh is able to rise above the impoverished life of the tenements, and create an entirely new identity as a "nouveaux riche" titled immigrant. He "invented a barony for himself. It got him around a Christian world. Instead of having to erase his thick Yiddish accent he need only roll it off him tongue with flourish…He was a new man." Tateh was able to raise himself above the immigrant prejudices though lies and pure luck. Eventually he even marries the middle-class mother, who accepts him for his true identity, (though he disdains his former identity himself) but only after he has risen above his for impoverished state to success.

Throughout American history, the white dominators had placed an emphasis on the "racial inferiority of the lower classes of whites and non-Anglo-Saxon immigrants, as well as the blacks." Immigrants were not given the same rights and privileges as the Anglo-Saxon members of society. The American government had been established in a liberal and republican light, yet those ideals were not passed on to every citizen. Immigrants, blacks, and Native Americans were held down by these ideals, and in the pursuit of white individual freedoms and opportunities, the basic creed of "life, liberty, and happiness" was crushed. In the post Civil War stage freed slaves were further excluded though governmental legislation aimed at separating African Americans from their white neighbors, and poll taxes that kept them out of the ballot box. Docotorow gave Coalhouse the bottom end of the stick, the fighting and struggle to equality he achieved was broken down and turned into tragedy, painting the plight of the African American as hopeless. The plight of the immigrant, however, had a light at the end of the tunnel though Tateh's emersion into middle-class society.

Smith, Roger, Multiple Traditions in America, American Political Science Review, Vol. 87, No. , Yale University

Doctorow, E.L., Ragtime, Penguin Books, 174

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Dealing With Alcoholics

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A is for Alcoholism. In don't think alcoholism is exactly an illness it is more of a condition of life that we are all vulnerable to, but some more than others. My family and I have all been affected by alcohol in some way, because I have had many people in my family who are alcoholics, and I know many people personally who have problems with alcohol.

The weird thing is how similar alcoholics are and how similar there excuses are. We know that human beings are endlessly individual. Each on is unique, but when people use drugs and alcohol they become boringly and depressingly alike.

There is a very clear genetic basis for addiction, if one generation has an addict in it, as does my family, the next generation is likely to have one as well. But alcoholism is not inherited like brown yeys are one does have a choice, one can avoid the downward slide, by being honest about what is happening and listening when people say things one normally would not want to hear, as I am trying to do. Perhaps people inherit the tendency to become addicted to a substance, but the decision to open that bottle and drink it (and another and another), or to place yourself in a situation where alcohol is available when you know how hard it is to say "no," is still yours.

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Admitting that there is a problem is the first and single step that one should make when dealing with alcoholism. That is the first and single step that some of my family members and some of my friends need to make in order to get over this problem, and I have tried to tell them that. Alcoholics start turning their lives around when they finally admit that the problem does matter and the problem is bigger than they are. They are going to have to find new resources to overcome it. I can obviously not be their resource any more. I have noticed that few alcoholics will do this voluntarily. They need to be forced, either by their families becoming adamant that the addiction will no longer be tolerated, or by circumstances like being arrested and charged (drunk driving or having a road accident is a common wake up call for alcoholics). That was the wakeup call for one person that I know personally.

For the people that are suffering from alcoholism or alcoholism in your families, you are not along. There are many people who suffer and are affect by this addiction, and there are many people who seek help. For the people who are addicted there are organizations like AA (Alcoholics Anonymous) that can help you recover, and for the families and friends that are affected by it there are organizations like Alanon that can help you understand the influence of addiction and the part played by the other people in keeping the addiction going.

Please note that this sample paper on Dealing With Alcoholics is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Dealing With Alcoholics, we are here to assist you. Your persuasive essay on Dealing With Alcoholics will be written from scratch, so you do not have to worry about its originality. Order your authentic assignment and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!

Japanese Canadians in Canada

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I'd like to welcome my partner, fellow classmates, the honorable judge and our worthy opponents. Let it be resolved that the circumstances did not demand the removal of the Japanese Canadians from BC's West Coast in 14. The main circumstance was the unexpected and sudden attack on US troops-in- training in Pearl Harbor on December 7, 141. To demand means to ask for something with authority. In this statement, removal means forceful displacement of a group of people to detention and internment camps in Canada's interior. Japanese Canadians are people who immigrated to Canada from Japan and became Canadian citizens. The West Coast includes BC's entire shoreline stretching from Alaska to the Southern US border and going as far inland as 100 miles. To sum up, my partner and I are here to convince you that the events of 14 did not require the forceful relocation of Canadians of Japanese ethnic origin from BC's West Coast.

My first point is the obvious racist attitudes of Caucasian people of the west coast as well as influential political figures towards the Japanese Canadians. Opposing the democracy that Canada was supposed to have been, Japanese citizens were never given the right to vote. This put them at a disadvantage because their voices could never be heard by the government. They were treated as obvious outsiders. They had been isolated into their own areas where they lived and worked. To white people, they went under the name of Japs, a term equally offensive as calling a black person a Negro. Despite all that, they were very beneficial to the community that treated them that way. They were excellent fishers and farmers who contributed immensely to the thriving and the prosperity of BC. However, instead of getting recognition and praise for their hard work, it only led to more hatred towards them. People were jealous of their large profits and successes in business, fishery, and agriculture. The white people could not find it in themselves to deal with their envy in any other way than hatred and racism. A quote from a book called "Democracy Betrayed", page 1, states

"They spoke of the Japanese Canadians in a way that Nazis would have spoken about Jewish-Germans. When they spoke I felt in that room the physical presence of evil."

The second concept that I would like to present to you is the falseness of the idea that the Japanese Canadians were a threat to the national security of Canada. The attack on Pearl Harbor was nothing but the perfect excuse for small, but yet powerful anti-Japanese groups to make their resentful voices be heard on a federal level. The Japanese Canadians became feared and suspected without any investigation at all that would prove their guilt, or in this case innocence. At a Conference on the "Japanese Problem in BC" held in Ottawa in January, 14, representatives from the department of National Defense, National Defense for Naval Services, and the RCMP all opposed the internment of the Japanese Canadians. Unfortunately, the person to report the outcome of this crucial conference to Prime Minister Mackenzie King was Ian Alistair Mackenzie, the political strategist behind the Liberal Party's anti-Asian election campaigns in BC and the sole member of Cabinet from British Columbia. The misleading of the prime minister would eventually be the turning point for removal of the Japanese Canadians, despite all the opinions against it, including J. L. Ralston's, the Minister of National Defense. Another indication that they were not a true threat was that the evacuation didnt happen immediately after the war began, nor was it carried out at an urgent pace it began in the summer of 14 and wasnt completed until October 1, close to eleven months after the beginning of the war. This slow removal hardly suggested a military emergency or that Japanese Canadians posed such a critical threat to national security. In Democracy Betrayed, on page1, a quote by Major General Ken Stuart states

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"From the army point of view, I cannot see that Japanese Canadians constitute the slightest menace to national security."

I have presented you with sufficient proof and illustration for my claims that the unfortunate fate of Japanese Canadians was brought on by racism and that they were never a threat to the Canadian Community, which they were also a part of. The Japanese were betrayed by the very country that they immigrated to in hopes of a better future. They were put under a bad light and unrightfully and unjustly punished for something they had absolutely no connection to.

Please note that this sample paper on Japanese Canadians in Canada is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Japanese Canadians in Canada, we are here to assist you. Your persuasive essay on Japanese Canadians in Canada will be written from scratch, so you do not have to worry about its originality. Order your authentic assignment and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!

Time in Cinema

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Time in Cinema

Amores Perros

I love to watch movies because I love to be entertained. Movies provide an escape from reality by entering into another world. A world comprised of characters, some you like and some you do not, and a story, which if effective will grip you and take you in. Sometimes so much to the extent, the world around you disappears and you become mesmerized and captivated by the images and the scenes that unfold on the screen. Film is an art form, a representation or even a manipulation of reality.

I selected Amores Perros for the purposes of this essay. I popped the cassette into the VCR without looking at the actual playing time of the movie. I wanted to see how the film makers used their ability to manipulate time to affect me and my experience

Following the guidelines, I will start by producing a quick summary of the film. The film revolves around three different stories all intertwined through one devastating automobile accident experienced from three alternate perspectives and times throughout the film. The film is a patchwork narrative meaning, "there is no central plot and no single-line character. Instead, one story begets another and the primary conceit is part-for-whole (synecdoche)." The film opens up with a chase scene leading into the accident involving the main character of the first section of the movie, Octavio. Octavio lives in a poor household with his brother and his wife, Suzanna, their baby, and their mother. Octavio's struggle begins when he falls in love with Suzanna. He finds a means of making money through subjecting his dog into fighting and seeks to earn enough to take his husband's wife and the baby away with him. After Suzanna abandons Octavio with his brother and the money, the dog fighting ends up in a messy disaster corrupted with foul play. Octavio finds himself in a violent car chase involving thugs of the dog fighting world. This leads up to the crash. The second section of the film involves a man named Daniel who leaves his family to pursue a life with his mistress, Valeria, a supermodel. He purchases an apartment for them to live together but their lives are quickly thrown in disarray when the model is hit by a speeding car racing through a red light, Octavio's. Valeria is left in a wheelchair with her leg highly disfigured. Turmoil begins in their relationship when her dog disappears through the floorboards, and frustration of not being able to walk nor rely on her beauty kicks in. After a medical oversight the model's leg is amputated and Daniel begins to wonder how his life unfolded in such disillusion. This leads us into the third part of the movie involving an ex-con man, El Chivo, in search of the strength to talk to his daughter whom he abandoned when she was two. El Chivo lives in a shanty home with several dogs as his family. Desperately seeking money, El Chivo acts as a hired hit-man. About to kill, he observes the brutal car crash between Octavio and Valeria. Racing to the scene he finds Octavio's dog and rescues and nurtures it back to health. He leaves do go commit a murder only to return home to find Octavio's dog covered in blood after mauling and killing every one of El Chivo's dogs. This sparks some changes in El Chivo's life, including a call to his daughter. As the three stories unfold they overlap and intertwine on many occasions within the film.

Attached to the essay, is a graph of the dramatic structure of the film. It is separated into three divisions based on the three alternate story lines. Each line marked with the letter C represents the car crash on the three different occasions during the film. The movie as well as each story begins by witnessing the accident from a different perspective thus correlating with high viewer interest. The stories through sequences which flash back in time and disregarding a linear time structure capture events which raise the intensity of the film over elapsed time, until once again the crash is experienced. The lines marked S are the story's time line of major events which build up intensity until the climactic crash scene. However the storylines are interrupted with quick scenes from the other storylines not to build intensity but to familiarize the audience with the characters whom are going to appear. Often a black screen appears for this transition to occur. In doing this the linear timeline is compromised completely, however the elapsed time continues while the viewer's interest increases, pauses as the movie takes on a new story and then increases again while the movie returns to the rising excitement of the story being focused on. In the third and final story the movie comes to a closure just as each of the first two stories had previously done. However the sequences of the alternate storylines are higher in viewer interest than the alternate sequences in the main storylines for the first part of the film, because as time has progressed all three story are concluding.

As I mentioned earlier, because our focus is on time in the cinema, I decided to put on Amores Perros without looking at the playing time. While I was watching the movie from an objective standpoint I noticed that I had no idea what time it was or how long the movie was going on. The physical projection time of the movie was 15 minutes, but the psychological time for the characters and me as the viewer far exceeded that. As for the psychological time of the characters, it was hard to construct the dramatic timeline in which the story unfolds in. Throughout the story each character goes through life altering events in a short span of time which affects their psychological time. The struggles the characters go through as for anyone who would go through such events, destroy their concepts of time as their worlds crumble and their lives take on new ordeals. Their patterns of daily life disintegrate and these new challenges consume the lives of these characters. As everything is thrown into disarray their past become faint memories of a different life. For these characters the grind of their present everyday environments is all that matters.

As a viewer the experience of time is much different than that of the characters. The extent to which the life changing events have on the characters, draws out the psychological experience for the viewer miraculously. For the viewer, everything that takes place is so significant that the time seems to span far longer than the actual duration in which the film is running. Adding to this effect is the formula of the "forking paths" and the multiple storylines. The viewer is forced to go back in time after the completion of one character's story to play out the events from an alternate character in the time that has already passed in the film. This technique, manipulates the viewer to disregard real time and consume themselves with the events on the screen. As each storyline intersects with one another the time seems to be moving in endless cycles.

Two principle methods of temporal manipulation employed in the film are condensed and suspended time. The most common formula for films is the simple story formula, which involves a hero and his or her plight through an array of obstacles. "This formula may sound basic, but huge numbers of excellent movies have used it." It also explains why condensed time was essential in the creation of this movie. By no means has Alexandro Gonzalez Inarritu directed a simple film formula. However in each separate story he focuses on individuals who experience an array of life changing events and pass through many obstacles along the way. Each of these stories exists on their own but are connected through one fated car accident, allowing the director to fit three stories into one film. In doing this, he must also ensure that the audience will have an emotional connection to each of the main characters in the film. In addition for the film to be successful each story must be able to exist as its own entity. To do so, he has condensed time between scenes filled with constant energy and constant infliction on the characters. He does this using several techniques. The most simplistic method used by the director to condense time is, cutting out sequences that must exist for the scene to unfold. An example can be seen at the beginning of the chase scene where Octavio is running from the thugs. It shows the altercation which leads up to the chase, with Octavio getting a head start on his pursuers by foot as he approaches his car. The next shot then jumps into the car as the chase has begun. The action as well as the time that passes in between has been condensed. Another technique the director uses to condense time is the three alternate storylines. Although the movie is separated into three distinct parts and stories, the characters are intertwined throughout the whole film. By showing snippets of the characters throughout the entire film, he allows for condensed time by reverting back to intense scenes in the main story, while time has progressed in between. He does this exceptionally as the film is riddled with excitement throughout each of the three stories. As a divergent film, Amores Perros uses "more than one story line and/or sets of characters that may intersect." With the multi-layered film the director is able to create suspended time. While the other story lines are previewed, the main storyline jumps through scenes or time is suspended by viewing from where it was left off. Inarritu uses different techniques to alter the linear progression of time within this movie. Time is suspended while the different characters exist and live through the same time sequence. As the characters do not interact with one another the same time sequence is shown on several different occasions for the viewer. Time progresses for the audience yet the director manipulates the time on the screen by jumping backwards and forwards on a linear time sequences through the different characters and the events that surround them. On numerous occasions time in the film is suspended while this is occurring.

In this film I think it is clearly evident that the soundtrack affects the temporal manipulation of the audience, as well as externalizing the characters' feelings. Looking into two distinct scenes in the film, the love making scene, and the car chase provide succinct evidence of this. During the scene where Octavio is making love to Suzanna the music is soft and passionate. For the viewer the music aids the perception of time to slow it down. The music differentiates the pace and tempo of this scene from the rest of the film. The love making is drawn out and seems to lapse for longer than many of the other scenes. This correlates with both Octavio's and Suzanna's emotional experience during the scene. The car chase is accompanied by intense and fast music, working similar to the love scene only on the opposite end of the spectrum. Where this scene is meant to be intense and exciting the music gets harder and more exhilarating and the experience for the viewer changes. The music builds up as the scene and excitement build up as Ocativo's life dangles in the mix. The scene elicits the response of being much faster than the love scene as the ordeal seems much quicker than that of the love scene.

The film provides insight to the nature of time with its multiple strand formula. The three different storylines provide the viewer with the insight of the enormity of time itself. The experience allows the viewer to see the impact of time on an array of characters and events and the after effects which follow. It is through the progression of time that both chaos and order take form. This is exemplified as the characters have no prior contact with one and other before the fated car accident and no further contact following. It is through coincidental timing that the lives of all the characters are greatly affected. The impact of the nature of time is exhibited through each separate storyline.

Please note that this sample paper on Time in Cinema is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Time in Cinema, we are here to assist you. Your cheap custom college paper on Time in Cinema will be written from scratch, so you do not have to worry about its originality. Order your authentic assignment from and you will be amazed at how easy it is to complete a quality custom paper within the shortest time possible!

Hunting, Consumerism and Natural Balance

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Hunting big game is a brutal and bloody business! That is, what many naturalists, hikers and so called animal rights activists claim. I believe their opinion is largely based on some horrific hunting stories they have heard and not on personal experience. A lot of people feel that killing an animal is one of the worst things one can do, and that hunters hunt for the sake of killing and shooting at anything that moves. I realize that some hunters do a poor job and show the wrong attitude toward hunting. They disobey hunting rules and regulations, such as bag limits or no alcohol while handling a firearm, and they do not practice enough with their gear. Results of this are missed shots, or what is worse, wounded animals. Unfortunately, it is those few hunters that give big game hunting a bad reputation. There are those of us who take hunting very seriously, and we make it our goal to pursue big game the right way. Choosing the right weapon and practicing consistently ensures that hunting is ethical and serves nature.

For instance, selecting the right weapon is an important step toward being a good hunter. Among the most popular hunting weapons are compound bows, handguns, and rifles. Each of those weapons has advantages and disadvantages. The compound bow is a potent hunting weapon that can, in the hands of an experienced shooter, be very effective over short ranges of up to 50 yards. However, there is one main with cross bows. Hunters have to be very close to the animal they intend to take, which limits the range of terrain that can be hunted. For instance, it would be difficult to hunt antelope in Nevada, where typical shot ranges are beyond 100 yards. Also, a bow is not powerful enough to deliver an instant kill unless the head or heart is hit. This is very difficult to do, for targets like head or heart are small. The heart, for instance, lies between the front legs of most game animals and is therefore almost impossible to reach with an arrow. "In bow hunting, it is critical that you only shoot when the animal is standing either broadside or quartering slightly away from you" (Shot ). Ethical hunters will not attempt such a shot.

On the other hand, handguns in an appropriate center fire caliber, such as caliber .44 or larger, deliver the necessary knockdown power to achieve an instantaneous kill. Yet, their main disadvantage is a limited range of about 100 yards. A solid rest for the weapon is also needed, but it is not always present. This makes placing shots over larger distances very difficult. Wounded animals are usually the result of shots taken by hunters that overestimate their shooting ability or the power of their handgun.

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I believe that a center fire rifle, compared to bow or handgun, is a superior weapon. It is the most powerful yet versatile weapon, and it is my choice for hunting. A rifle offers precision superior knockdown power over very long ranges. "The centerfire rifle is the most accurate and versatile firearm a big game hunter can own" (Rifle 14). I know from my experience that the right combination of rifle, caliber and scope can easily deliver an instant kill over a distance of 00 yards. Even 00-yard shots are possible with a good rest for the rifle. The disadvantage of rifles is their weight. Although rifles are usually several times the weight of the other weapons mentioned, their superior technical advantages make up for it.

In addition to a powerful weapon, the next important step is practice. Knowing the capability of my gear and myself is a must. I owe it to the animal to be the best shot I can be. I do not want the animal to suffer, and I am also not interested in spending hours looking for wounded game. Therefore, I spend quite some time and money at the shooting range to make sure I do not miss a shot.

I use the same gear and ammunition for hunting as for practice. Every rifle is made to shoot a specific caliber. However, there is a difference in cartridge performance based on weight of bullet and manufacturer. For example, a Remington rifle chambered in .0-06 caliber may shoot best (most accurate) with a 165-grain load, manufactured by Federal (name brand ammunition manufacturer). This means the only way to really know how a specific caliber-gun combination will perform during the hunt is to shoot the very caliber-gun combination during practice. Using hunting ammunition for target practice, however, is much more expensive because hunting ammunition costs about four times more than cheap target ammunition in the same caliber. I also practice different shooting positions like prone, kneeling and free standing because any of those can be required during a future hunt. Besides that, I practice year around and not just before the start of a hunting season, so I know that my gear as well as myself are up to the task. Constant practice also gives me confidence and the right skill level for the moment I am ready to pull the trigger.

In addition to the technical aspects of it, hunting is also ecological. Hunting has become an important resource when it comes to controlling numbers of game animals in their habitat. Unfortunately, mistakes have been made in the past. Some of which wildlife management still has to deal with. For example, during the past century, many predators were brought to the brink of extinction because they were viewed upon as varmints. For instants, this has allowed deer populations in some areas to explode. Every ecosystem or habitat has a population limit per species. That means that a certain habitat is capable of supporting only a certain number of animals with food, water and shelter. If this limit is exceeded, game does not find enough resources, and the resources that are present are depleted quickly, jeopardizing the survival of other species. A lack of food will lead to populations that are comprised of weaker individuals. Many animals in this habitat will die of starvation or disease. The Department of Fish and Game in conjunction with wildlife biologists researches the numbers of animals per species that are ecologically balanced for the zones they are living in. If a zone has more animals per habitat then it is capable of supporting, game tags are issued to reduce the surplus of animals. The number of game tags dictates the number of game animals per species that can be taken from the appropriate zones. Hunting creates and helps maintain a healthy game population and a healthy game population leads to a healthy habitat.

Also, funding for habitat improvements are a direct result of hunting. Upkeep and maintenance for national or state parks as well as habitat restoration is enormously expensive. Not only does hunting help keep game animal populations healthy, it also supports the building and reconstructing of new habitats at large. Annual tax revenues from the sale of ammunition and firearms alone have totaled to nearly $00 million. (Hunters). Most people dont think about this when they take their families to Yosemite or Yellowstone Park, nor do they consider the funding source when they watch documentations about new habitat construction on the Discovery Channel. Hunting and fishing contributes massively to the construction and upkeep of outdoor recreation that is enjoyed by millions of Americans and visitors to the US. "Proceeds from the Federal Duck Stamp, a required purchase for migratory waterfowl hunters, have purchased more than five million acres of habitat for the refuge system lands that support waterfowl and many other wildlife species…" (Hunters).

Unfortunately, this information doesn't seem to be very wide spread, and many people are still opposed to hunting and don't see its many benefits.

Nevertheless, people are often shocked when they learn that I hunt and kill game animals. I often hear the question "Why don't you go buy your meat at the grocery store?". This question is worth examining in more detail because whomever asks that question seems to think that the meat from the supermarket grows right there in the little plastic trays that it is offered in. Surely, it is much easier and guilt free to buy an anonymous piece of meat from the supermarket. It conveniently allows consumers to ignore the process by which this piece of meat came to be available. It's easy not to think about the fact that the piece of chicken, for example, was most likely "produced" in a small cage together with hundreds or thousands of it's peers. Its beak was clipped so it couldn't injure other chickens. "Many breeding broilers are debeaked, to minimize damage from aggression, and this may cause life-long pain" (Broiler). The chicken's wings were clipped because it would never fly anyway. It was kept in a dimly lid hall to keep its stress level in a range where it wouldn't freak out because of its horrific living condition. The chicken was fed animal by-products, such as ground and processed animal waste from slaughterhouses, mixed with grain so the extra protein would make it grow faster. It got fed antibiotics in order not to get sick in its unhealthy environment. The chicken got fed or injected growths hormones so it would fatten up sooner than natural and be profitable for the producer. When killing time came, it was hung from a hook on a conveyor belt that led to a saw that cut of its head. I don't buy my meat at the grocery store because the "modern" ways of animal production tortures animals to keep prices down and profits up.

Yet, another statement people often use is "hunting is not fair." Hunting is not supposed to be fair. I believe it is fair in a sense that I have a hard time finding the animal in its natural habitat because its senses and knowledge of its environment are much more keen than mine. If I do manage to find the animal, I will try to take it. Also, game and hunter are not equal, and hunting is not a sport where hunter and pray are on the same team. Besides, the way hunting used to be done, using spears and other crude hunting instruments like clubs and rocks, was not fair let alone humane. Animals got chased over cliffs, trapped in holes, stoned to death or poisoned. In the commercial industry animals suffer even more inhumane deaths. Modern hunting with the use of superior hunting technologies is as fair as it gets. For example, the query does not know that I am around because if it did, it would run away. It is important to me not to stress the animal, nor do I inflict pain or suffering. I wait with the shot until everything is right. The distance, position, and aim must be perfect before pulling the trigger. I never shoot at running game because its too difficult to place a good shot. I have passed up shots because distance, aim or the position of the animal was not right.

In conclusion, I have a deep respect for nature. Buying firearms, ammunition and game tags supports the upkeep and creation of parks and animal refuges in a major way. When I hunt, I take the place of the missing predator and keep habitats in balance by taking surplus game. I have chosen the most efficient weapon, and I take all necessary precautions to insure a quick and humane death for the animal. I posses the skills needed to kill and not wound because I practice with my preferred hunting gear, and I like providing meat for my family that is organic. The animals I take had a chance to grow up in their natural habitat and enjoy a natural life until the moment I pulled the trigger. I hope that someday, people will come to understand how the modern meat process works. Only then will they understand that a cruel and inhumane industry is supported with every piece of meat purchased. I believe this understanding would alter most people's opinion regarding hunting, and they would no longer regard hunting as being cruel and unethical.

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