Saturday, December 24, 2011

Cleopatra-a summary

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Synopsis


Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing--and by the screenwriting ambitions of his freeloading twin brother Donald (also Nicolas Cage). While struggling to adapt The Orchid Thief, by Susan Orlean (Meryl Streep), Kaufmans life spins from pathetic to bizarre. The lives of Kaufman, Orlean and John Laroche (Chris Cooper), the orchid poacher and the subject of Orleans book, become strangely intertwined as each ones search for passion collides with the others. Screenplay by Charlie Kaufman and Donald Kaufman and directed by Spike Jonze.


The Freedom of the City, first produced in 17, is Brian Friels most overtly political play.


Set in Derry in 170, in the aftermath of a


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Civil Rights meeting, it conjures the events of Bloody Sunday.


Three unarmed marchers find themselves in the mayors parlour in the


Guildhall. Reports and rumours exaggerate their occupation and they


are shot by British soldiers as they leave. The play documents the victims


final hours and a subsequent tribunal of the inquiry into their deaths.


As Frank Marcus wrote in The Sunday Telegraph, Friel fleshes the awful,


numbing casualty statistics and gives them breath and life.


Synopsis


Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing--and by the screenwriting ambitions of his freeloading twin brother Donald (also Nicolas Cage). While struggling to adapt The Orchid Thief, by Susan Orlean (Meryl Streep), Kaufmans life spins from pathetic to bizarre. The lives of Kaufman, Orlean and John Laroche (Chris Cooper), the orchid poacher and the subject of Orleans book, become strangely intertwined as each ones search for passion collides with the others. Screenplay by Charlie Kaufman and Donald Kaufman and directed by Spike Jonze.


The Freedom of the City, first produced in 17, is Brian Friels most overtly political play.


Set in Derry in 170, in the aftermath of a


Civil Rights meeting, it conjures the events of Bloody Sunday.


Three unarmed marchers find themselves in the mayors parlour in the


Guildhall. Reports and rumours exaggerate their occupation and they


are shot by British soldiers as they leave. The play documents the victims


final hours and a subsequent tribunal of the inquiry into their deaths.


As Frank Marcus wrote in The Sunday Telegraph, Friel fleshes the awful,


numbing casualty statistics and gives them breath and life.





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